Tom Connor’s Gift by David Allan Cates (2014. Bangtail Press. ISBN 978-0-09623787-5-9)
It is sometimes a tricky thing for an author to write outside their personal experience in terms of ethnicity, gender, or orientation. I can attest that it’s a fine line to be walked between creating an unintended parody of a fictional person by stepping outside one’s comfort zone as a writer and forming a fully functional, believable protagonist who is markedly different from the writer’s own background. I tried, and I think, for the most part, succeeded in accomplishing that task in Esther’s Race by writing in the first person as Esther DuMont; a twenty-something African American Irish and Finnish American woman caught up in methamphetamine addiction. So, after listening to an essay by David Cates on Reflections West (you can listen in at: http://reflectionswest.org/episodes/ep154_cates.php) which, in addition to our apparent joint desire to explore a woman’s voice, is another thing I share with Cates (hear my essay on RW at: http://reflectionswest.org/episodes/ep70_munger.php) I decided to purchase his novel, Tom Connor’s Gift, and give it a read. I have to say: I was impressed.
Janine McCarthy has lost her husband. To cancer. As a physician and the mother of emancipated twins, McCarthy decides to retreat to a friend’s cabin in Montana (leaving the family farm in Wisconsin temporarily during the grieving process) and ponder her life. That’s the essence of the plot in this narrative novel, one that is rich and full with the angst and inner machinations of its female protagonist set against her re-discovery of decades-old love letters written to her by the irrepressibly quirky and ungrounded Tom Connor; McCarthy’s first lover. In rare form, Cates dives deeply into the process of loss, the importance of family, the unsettling nature of grief, and the implausibility of love lost and love found. His prose is literary yet unpretentious and the story line, despite the strange, repetitive allegorical appearance of a grizzly bear, propels the novel forward to its inexorable conclusion. Through it all, Janine confronts and considers the ever-present letters from the man who played a significant role in her emotional life despite distance and time:
I put the letter down and get up and pour myself a cup of wine. The mention of rum (in a letter) makes me thirsty. Does that mean I’m becoming an alcoholic? His unabashed carnality makes me something else, which I take as a good sign, although part of what I feel is panic that nobody will ever want me again, nobody that I would have anyway. I sit back down again at the table with the wine and use my palm to smooth out the crinkled paper the letter is written on, put it back in the envelope, and take it out again. About the only thing I know for certain about desire is how fast it can change.
Cates continues his mastery of prose in the same vein throughout the entirety of this read. I was pleased to discover his work. Reading regional writers (Cates lives and writes in Montana, a place I visit often) and finding gems like this keep me wanting to strive to be better at what I do.
4 and 1/2 stars out of 5. A well crafted read that would be a great book for a book club to digest.