Bringing All of us to the Mountain

 

Two hours passed. The fog closed back in again making it safe to walk or sit aboveground. Kids talked, whittled, and dug elaborate shelves and steps in their holes. Several went down and helped Gambaccini and Jacobs dig graves for the dead NVA, simply for something to do. Many dozed, thankful to have nothing to do but wait in their holes. All of them looked at the sky every few minutes, like cultists waiting for deliverance. Two and a half more hours passed. Mellas crawled down to check on Goodwin. Goodwin was still waiting over his rifle. Mellas lay down beside him. Goodwin talked without taking his eye from the rear sight. “That little bastard’s just about to poke his head out that hole. I can feel it.”

(c) 2010, Karl Marlantes.

Matterhorn; A Novel of the Viet Nam War by Karl Marlantes (2010. Grove Press. ISBN 978-0-8021-4531-4)

The novel as therapy to heal. Once you have finished this mammoth work of fiction, which, in many ways, is the quintessential novel of the Marine experience in the Vietnam War, you realize that’s exactly what this book is: Therapy. We sent hundreds of thousands of our boys (and a few thousand girls in supporting roles) to fight in a war that made, in the end, absolutely no political, military, or strategic sense. Marlantes captures the larger frustrations about the Vietnam conflict after Nixon’s election in 1968 in the minutia: The day to day experience of Lieutenant Second Class Mellas, an Ivy League educated Marine Reserve Officer who has, unlike so many of the men drafted to fight and suffer, volunteered for his role. This is likely the grittiest, most realistic war novel ever written. One jacket blurb compares Matterhorn to All Quiet on the Western Front. That’s a comparison that hits the mark: Both the so-called Great War (WWI) and Vietnam share a certain political insanity, a sense of helplessness in the face of governmental decision-making, that is best depicted in the day-to-day terror confronting the line soldiers in the two stories.

The writing is crisp, raw, and real: Like finding a bevy of leeches sucking blood from your leg under your utility trousers in a shallow trench while you try to sleep; or shitting blood and water as you shiver in the cold mountain air of what is supposed to be a semi-tropical country waiting for a medal-crazed colonel to order you to re-take a hill that, a week earlier, that same colonel abandoned as having no strategic importance. There are a few scenes that drag (generally those away from combat, where the interactions between members of Bravo Company become more personal, more detailed). Some of this less harried dialogue is necessary to form character: some of it is simply extraneous. But the overall quality of the book is superb and, once you grasp Marlantes’s brilliance as a chronicler of war, you will forgive these minor lapses. Not since Tim O’Brien’s The Things They Carried took the reading nation by storm has a novel of Vietnam hit such a high and consistent note. On film, though I’m a fan of Platoon and The Deer Hunter, about the only movie that approaches the emotional content and the combat realism of Matterhorn is Mel Gibson’s terrifically underrated When We were Soldiers. Read this novel and then watch the movie and you’ll understand what I mean.

There are no straw men, no men of pure evil or pure virtue in this book. Marlantes has captured the nuances involved in depicting humanity at war with boldness. He also does not shy away from the complex politics or issues of race and economic status that, to this day, remain as questions regarding who goes to war for America and why they are sent. The racially charged scenes, the tension, and the results of the exchanges between Marines of black and white skin, are honestly and thoroughly examined. I remember being told in Platoon Leadership Class (PLC) at the Marine base in Quantico, Virginia, that “there is no color in the Marines but green”. Marlantes unveils the truth behind that myth by his depiction of the tensions percolating beneath the surface in the American military during the heady days of the Civil Rights Movement where men of disparate skin color eyed each other warily over the sights of their M-16s. Again, it is an open, honest, and, hopefully for Marlantes and other veterans of that godforsaken war, cathartic telling of the truth.

A big book which, at its core, is a simple story of one man, one platoon, one company, and one battalion of the United States Marine Corps during the Vietnam War. Outstanding.

5 stars out of 5.



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Heading to Hackensack with Lynn, Low, and Eddie

The road between Duluth and Hackensack, Minnesota takes me past small towns, lakes of all sizes, swamps, marshes, over the Mississippi, and finally, through the Leech Lake Reservation. It’s Saturday. The sun is up, but just barely, and, instead of driving my lumbering old 2005 Pacifica, I am behind the wheel of my wife’s nimble little 4×4 Toyota Matrix. My books are stacked in boxes and bins in the cargo space of the little car. But since I’m headed to an indoor event (praise the Lord: I’ve had enough of the E-Z Up for awhile), I’ve opted for fuel economy by borrowing her Matrix. I’ve got Pearl Jam playing loud on the CD changer. It’s a live album, something I picked up at Best Buy from the discount bin. “Daughter” comes on and I find my right foot (I’m a two footed driver-blame my mother) searching for the accelerator even though the cruise is set. Despite a tremendous urge to unleash the Toyota’s four cylinders, I refrain from breaking the law…much.

I’m headed to sell books at the Northwoods Art and Book Festival in tiny Hackensack (population 313), Minnesota: So far as I know, the only specifically art and book event in the state. I’ve done this show for at least six years: At times, I’ve been in my E-Z Up outside. I’ve been inside the community center with other crafters and artisans. And I’ve had a table inside the Congregational church (the “book arts” building) amidst other authors and publishers. The benefits of not being outside in my E-Z Up are many:

1. I don’t have to worry about rain;

2. I don’t have to set up the damn tent;

3. I don’t have to worry about wind; and

4. I don’t have to worry about hauling my own tables and chair.

So inside, which is the venue I’ve managed to snare this year, is better. Inside the church, where I can hob-knob with other authors, is the best.

As usual when driving to Hackensack, I miscalculate my drive time. The festival starts at nine. I want to arrive no later than 8:30. I arrive at 8:45am.

“Mark Munger, Cloquet River Press”, I tell the lady who stops the Matrix at the saw horses marking the entrance to the festival.

The woman dutifully wanders back to the information booth to retrieve my festival packet, which includes my registration. She ends up coming back to the Toyota empty-handed.

“Sorry, you don’t appear to be registered.”

She’s nice enough about it so I don’t protest too loudly. Instead, I pull out the email I received from the book arts coordinator confirming my slot. I hand it to the woman. She nods.

“I’ll take care of it. Just go on in and find Joanne. She’ll get you situated.”

I drive to the church. Some nice fellows (seems everyone in Hackensack is in a jovial mood due to the bright sun and the burgeoning beauty of the day) help me unload. I find Joanne. She shows me to my table. I set up my display.

The day starts slowly but, by the time I call home at noon, I’m selling books. Lots of books. Mostly to folks who’ve bought my work in the past and, surprise, surprise, want more Munger to read.

I need more of these shows to keep me going.

For the past two years, ever since printing Mr. Environment: The Willard Munger Story, my little excursion in the self-publishing world (Cloquet River Press) has taken a nosedive. Or maybe I should say, developed a nosebleed: It’s been nothing but red ink for the past two years. I’ve taken on too much: too many projects, too much debt, too much time away from family and friends, pursuing an inoculation of ego.

This author thing, I think as I hand a past customer a signed copy of Esther’s Race, is a lot like being a drug addict. Doesn’t help that I’m OCD (thanks again, Mom). Oh, compulsion is a good thing in some ways. It drives me to complete what seem (like Willard’s biography: a five year project) to be insurmountable tasks. That’s the plus side of being OCD. But the downside? I stare at it every time I take out the CRP account book. Red. Red. Red. I’m a terrible businessman. But despite the downsides (including the depression that comes from sitting alone in a booth selling no books to no one) I can’t stop. I simply can’t. I guess it’s these moments, when a reader stops by and says, “I loved The Legacy” or “Suomalaiset is the best book I’ve ever read” that compels me to continue. Just like drugs, when you’re on the upswing, you forget the downside. It’s fleeting. It’s momentary. But the high is very real.

I talk to other writers around me, reconnecting with folks I’ve met out in the area doing workshops for the JackPine Writers Group (see the “Links” section under “Writerly Orgs” for the JPW’s website) and the Park Rapids Library. I always learn a thing or two, particularly about marketing and selling books, when I talk to other authors. Some of the tips work out; some don’t. But the interaction is valuable and the company is great.

By the time the festival winds down, I’ve done better in one day in little Hackensack than I have at any other event this year. These folks, many of them Twin Citians spending a last summer weekend at the family cottage, are readers. Voracious readers. The kind of folks who make semi-famous, semi-finalist novelists smile.

I pack the Matrix. There are less boxes to stack in the car; a sign I’ve sold well at the festival. I give Rene’ a call, telling her I’m back on the road. I fumble with a jewel case and pull out one of my favorite “road” albumns: Canadian folk singer Lynn Miles’ Unravel:

I’ve been living up here by the hydro towers

Trying to feel my feet and regain my powers

Living on the flight path trying to feel the ground

Trying to break the chains that hold me to this town.
I’ve been watching the crows sitting on their wires

Listening to the muscle cars burning their tires

Thought I’d stick around for a month or so

Well I’ve been here for seven and this is what I know

You can read a lot of  books, don’t make you smart

Kiss a lot of fools, don’t mean you gotta heart…

(c) Lynn Miles, 2004

(See “Links” and the subcategory “Musicians” for a link to Lynn’s work)

By the time I turn onto the gravel drive leading to my home on the river, my mood has turned reflective. I’m listening to Duluth’s beloved slow rock band, Low.

It’s been a great day to be an author and a word junkie.

Peace.

Mark

 

 

 


 

 

 

 

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The Story Begins Anew (Conclusion)

High Falls, Baptism River, Tettegouche State Park

 

Day two. I wake after a hard sleep on a soft pad. I tug on my shorts, throw a shirt over my bare torso, clamp my Australian bush hat over my wild hair, pull hiking boots over bare feet, and stumble from the tent. After making the short trip to the Tettegouche Campground latrine, I fill pots with cold water and boil the water for coffee and oatmeal. My son hasn’t stirred despite all the noise I’m making.

Around the campground, other folks: couples and families, are stirring. Some are leaving their tents to take a morning shower. Others are revving up their $200,000 RVs for departure. But, despite all the humanity about the place, Tettegouche still holds plenty of appeal for someone like me, someone who enjoys the more primitive, the less refined. I clamber up a steep rock wall looming above our camp, a mug of freshly brewed instant coffee in hand, and sit on billion year old basalt looking out over the big lake, the Wisconsin shoreline a serpent to the east. There are no clouds in the sky and it promises to be a tough day to catch walleye on Tom Lake, our destination. Jack finally emerges from his sleeping bag (an unattractive butterfly if the bag is his cocoon): His hair is standing on end; his face is mushed from sleep; and his breath smells like roadkill. But, a cup of coffee, some hot oatmeal, a breakfast bar, a mug of Tang, and an apple later, followed by a trip to the shower ( and the application of a toothbrush) and my son is looking fine. After doing dishes, I too take my turn under the hot water of the camp shower. As I scrub away the dirt of our first day on the North Shore, I think back to how the state parks in Minnesota got hot water for their showers. Seems that the conservative members of the Minnesota House Natural Resources Committee chaired by my uncle Willard didn’t believe that campers needed such an extravagance. But Willard, like a good novelist, decided to show, rather than tell: He dragged a contingent of naysayers with him to the nearest park, spent the night in tents, and then, when the very tired and very hungry legislators were confronted by ice cold showers, he had his votes. (True story and you’ll find more like it in Mr. Environment: The Willard Munger Story. You can order a copy from the dashboard above. The book has been discounted to $15.00, $10.00 off the cover price!)

Once again, we’re early for check-in when we arrive at Judge Magney State Park north of Grand Marais.

“Hey,” I say to Jack.

“Ya.”

“Isn’t it a coincidence that a judge is staying at a park named for a judge.”

“Whatever.”

Apparently the irony isn’t as impactful as I thought.

Judge Magney State Park, a former WPA “Hobo Camp” from the 1930s, is smaller than Tettegouche but every bit as nice. We set up our tent, unroll our sleeping pads and bags, and head out to fish.

Tom Lake is windy. Jack isn’t happy when we unload the Grumman square stern, fire up the 2-horse Honda four-stroke, and begin crashing through waves.

“Let’s go back,” he whines.

“You’re kidding, right? It was an hour drive to get here.”

“I’m not fishing. Let’s go back.”

After raising three older boys, I know not to engage. I keep trolling, my nightcrawler and spinner deep in the cold waters of the lake. We work the shoreline. I catch two walleye the size of the chubs Jack caught on the trout stream. It’s too sunny for the fish to really be interested. After lunch in the boat and a couple more hours of trolling and drifting, we head back to the landing.

“That was a waste,” I complain as we hoist the canoe back on the luggage racks of the Pacifica.

“It’s a nice lake,” Jack says reflectively. “I’d fish it again on a cloudy day.”

Kid’s smarter than I am.

Devil’s Kettle, Brule River, Judge Magney State Park

 

Back at Judge Magney, Jack convinces me we need to hike the Superior Hiking Trail and find a place to fish the Brule River. We hike for an hour and find our spot. As night settles over us, we work a deep pool beneath a small waterfall and finally, after two days of no trout, Jack lands a couple of nice ten inch rainbows standing in the thick mist coming off cascading water. He also manages to hook and land a large mouth bass, which, given that we’re fishing a North Shore trout stream, is completely unexpected. As I study the fish, trying to figure out why it is where it is, Jack becomes excited.

“You’ve got a fish on,” he says, noticing my rod dancing under my arm.

I release the bass and turn my attention to my fly rod. The tip of the rod is indeed twitching. I set the hook and know immediately that this is not a ten inch brook trout.

“Holy crap,” I say as the rod bends in half.

The fish dives and I give it line. After a few minutes of playing the fish,  I work the it away from the rocks and ease it onto the shelf Jack is standing on.

“It’s a big bass,” my son says as the fish flops by his feet.

“No, it’s a brookie,” I correct my son. “And a damn nice one at that. Biggest one I’ve ever caught.”

Indeed. The trout is a beautiful 21″ coaster, likely a female getting ready for the fall spawning run. It is not a fish I want to keep.

“That is a big fish,” Jack says reverently.

“A legendary fish,” I reply as I pick it up. “Grab the camera.”

I try and hold the trout after releasing the hook from its hard palate but I cannot control the undulating mass of muscle and the brookie crashes to the rocky ground.

“Shit. I don’t want to hurt it. I want to put it back.”

I retrieve the fish. Jack aims the camera. The fish twists again and falls to the rocks.

“Shit. I do not want this fish to die.”

Eventually, after the photo is taken and after trying to revive the brookie in fast moving water, I give up: The fish is too far gone to release. I am not happy about keeping the fish and, had we been better prepared, I would have had a net handy. But it was a spur of the moment decision to follow Jack’s lead and fish the river. I lament the trout’s death but do not lament the excitement.

Thursday. We pack up camp and drive up the shoulders of the rolling Sawtooth’s into the interior of Cook County. Trout Lake is placid. There is no one else out fishing the tiny lake on this gorgeous Minnesota morning. We troll spinners and spoons and nightcrawlers in harnesses for brookies, lake trout, and rainbows. I have one strike. Other folks finally unload canoes and fish but all of us share the same bad luck. I have one strike but can’t hook the fish. And then, the blackflies, the curse of the Northland, find us. For the last hour of our time on the lake, as beautiful a little spot of sliver I’ve ever been on, the flies attack our bare ankles and shoulders mercilessly. No amount of DEET can dissuade the little buggers from landing and biting. We concede defeat and make for the landing.

On the way back down the hill towards the lake, we stop and spend the last couple hours of our trip on a tiny brook fishing for speckled trout. Intermittent clouds provide cover and we pull a few small brookies out of the unnamed stream. Jack finally has success and lands a half-dozen trout but keeps none. I keep one nice eight incher to go along with the big brookie from the Brule, which, when I gutted it, I discovered was a big male.

Still didn’t want to keep it. But at least it wasn’t  a female full of eggs.

I bust out of the bush a good half-hour before Jack does. I sit atop a big steel culvert disecting the gravel road and eat lunch as I watch the creek course towards Lake Superior. No black flies or mosquitoes bother me and the warm sun feels good on my stubbly face. I pull out my tattered copy of Wisconsin and Minnesota Trout Streams by Humphrey and Shogren and read up on all the rivers, streams, and creeks waiting for an old man and his son to visit.

Peace.

Mark

 

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The Story Begins Anew (Part 1)

 

Vacation. That word conjures up a lot of images for folks. Thrilling descents on roller coasters, cotton candy, and shaking hands with Micky Mouse. Luxurious cruise ships docked in distant, exotic ports. Fine wine, elegant dinners for two, gawking at Picasso paintings, and falling in love with the Manhattan skyline. The list of choices for Americans away from work is endless. In my fifty-six years of life (nearly thirty-four working full-time) I’ve enjoyed my share of memorable respites from the daily grind. This week, I spent three days of a week off from work on Minnesota’s North Shore (that’s on Lake Superior for you non-Minnesotans) with my youngest son, Jack. He’s thirteen: the perfect age to learn how to fish the craggy, rocky streams of NE Minnesota for the wild and beautiful fish that is my favorite: Salvelinus fontinalis; the eastern brook trout (actually members of the char family and not true trout). So, with about a week of foresight, I planned a trip to my favorite stream on the Shore along with some side visits to small lakes tucked in the wilderness above the Sawtooth Mountains.

In the past, I’ve taken my older sons brook trout fishing. The streams I fish are not gushing, rushing, torrents of water like you envision after watching movies about trout fishing, like “A River Runs Through it”. Generally, what we’re working, when we trout fish the North Shore, are tiny little rivulets and brooks with the occasional modest stream thrown in for good measure. And, while I recognize that purists will balk at what I am about to say (think of the drunk movie star in “A River Runs Through It”), though I’ve tried my hand at fly fishing and I understand its poetry, I am, through and through, a worm man. That’s right: I fish for these beautiful bursts of color and energy with sinker, hook, and dew worm. I know, I know. It’s not as lyrical. It’s not what Ike Walton would do. Too bad. I only get out once a summer to pursue the brookies. I want to ensure at least a few fish, my favorite eating fish, for the frying pan. Worms ensure dinner. It’s that simple. It’s something Ernest Hemingway knew and applied when he fished for trout in the streams of his beloved Michigan.

Tuesday morning. We are up at the crack of dawn and, after a brief stop at the Two Harbors McDonald’s for breakfast on the fly, we’re back on the road. The old Pacifica handles the eighteen-foot Grumman square stern on the roof racks without a hitch. The cargo space of the van is loaded with a two-horse Honda four-stroke, gas, camping equipment, fishing equipment, food, and other supplies. Jack sits in the passenger seat and eats his McGriddle as I munch on an egg McMuffin. When we arrive at Tettegouche State Park just outside of Silver Bay, I’m apprehensive: We’re way too early for the 4:00pm check-in.

Now, you’d think a guy who wrote the book on the formation of Tettegouche State Park (see Mr. Environment: The Willard Munger Story) would have used and appreciated Minnesota’s 76 state parks (nearly one for every county in the state!) before he turned fifty-six years old. Not so. This is my first overnight stay in a Minnesota state park so I’m a bit apprehensive that my online reservation was messed up. Nope. Turns out making a reservation over the Internet worked out fine and dandy. And, because the folks ahead of us have already vacated the spot, we’re allowed to set up early. After a flurry of activity, we get back in the Pacifica and hit the road in search of trout.

When we arrive at the water’s edge, the day is too nice to be a good trout fishing day but we’ve come too far not to fish. We split up: Jack heading downstream and I upstream, our rods and a stockpile of worms, hooks, and sinkers in hand.

“Fish the edges of the fast water, at the ends of little rapids. The fish will be hiding there with the sun up like it is,” I say.

“OK, Dad.”

It’s high noon and there are no clouds in the sky. I dip my hand in rushing water: It’s cold, no more than 65 degrees, perfect for brook trout. But the sun being so high will be a problem. Still, a bad day on the river is better than any day in the office.

The river we’re on (really a stream but bearing the regal title of “river”) has the worst rocks for walking I’ve ever encountered. I stumble and bumble my way upstream, tossing my hook and worm from my fly rod into any water that looks trouty. I have one good strike but, given it’s been three years since I fished brookies, my reactions are slow and I miss the fish. I look back down river and see Jack has already tangled his line in a tree. I don’t offer any suggestions: At thirteen, he’s a veteran fisherman. I know he’ll figure it out.

The day progresses. I get lost in the rhythm of tossing worms under rocks, cut banks, downed trees, cedar boughs, and the like. It takes awhile but I finally find fish. Lots of fish. Nice ones too. The largest I take are twelve inches or so. I catch a couple of that size, big fish for this little water. The feel of a brookie on the hook hasn’t changed despite the distance of time: When I feel the line tighten and the slack start running against the current, I know what to do. I set the hook and the fight is on. The little char fight like the dickens and dance across the silver water into my hand. I lose a few. Catch a few dozen. I lose track of time but, in a moment of parental concern, realize that the predicted storm is at hand: Thunder is rumbling in the distance and a gray blanket is seeping into the valley. I begin my walk back downstream, the fish pouch of my fly vest full of fat, shimmering trout. Enough for dinner tonight and tomorrow night. Not paying attention and in a rush to make it back to the car, I stumble and fall a half-dozen times.

“Should have brought a walking stick,” I mutter as I examine my ring finger above my wedding band which now is twisted in a direction I’ve never seen it before.

I land on my rump, my knees, my shins. I’m wearing tennis shoes and bluejeans: I learned long ago that waders are an inconvenience in these streams: They are hot and ungainly and totally unnecessary for the waters we’re working.

“How did you do?” Jack asks when we meet up where I’d left him.

“Lots of fish,” I reply.

“Where were you, Dad? I started up the river to find you but gave up. You must have been a mile upstream.”

“I was.”

Jack is as wet and dirty as a thirteen-year-old can be.

“Get any fish?” I ask.

“Chubs. Hundreds of chubs.”

I smile as we walk up the hill towards the waiting Pacifica. The sky rumbles with renewed insistence.

“I’d better clean the fish. You pack the stuff away. It’s gonna pour.”

I hand Jack my rod and my fishing vest, dig into the tackle box, and remove a fillet knife.

“Chubs, eh? You were in slow water. You need to find the fast stuff on hot days like today.”

Jack doesn’t seem the least bit disappointed.

“One of them was this long,” he says, making a gap between his hands that’s at least a foot across.

“Too bad we can’t eat chubs,” I quip.

I squat near the stream and clean the fish. The yellow, blue, and red spots have faded as the life has left the brookies but they remain the most striking fish an angler can pursue in Minnesota. They are pallets of color and, on hook and line, the most robust of fighters for their size. By the time I’ve packed the gutted fish in a plastic bag and put them on ice in the cooler, the storm arrives and engulfs the Pacifica in a wall of cool rain as we drive back to Tettegouche.

We clean up a bit at the campground shower building before clambering into the tent. Rain continues to fall by the bucket. Our tent stays dry. I turn on our battery powered lantern intent upon reading while we wait for the rain to let up.

“How about a story?” I ask.

“Sure,” Jack says, his head resting on his pillow, his eyes shut.

I pull out Up North by Duluth outdoor writer, Sam Cook, and search for a fishing story. I hit gold.

“This one’s called, ‘The Trout Fisherman’.”

“Cool.”

At first it looked like a trail, not a worn path, but a meandering opening among the thimbleberries. The trail dissolved into forest, but that didn’t bother Enok Olson. Now he was coursing randomly through the aspen and large-leafed aster, stepping over deadfalls, and batting branches away from his face.

It didn’t seem that he was trying to find the stream so much as he was being drawn to it. Perhaps that’s the way it is when you’re almost 89, and brook trout streams have been drawing you to their banks for half a century…

“That was an awesome story,” Jack says as the storm lets up and we make ready to leave the tent and fry up the trout for dinner.

As I unzip the wet rain fly, I think about Enok Olson.

I hope that if I make it to 89 and I fall on my rump in a North Shore brook trout stream, I have the gumption to get back up.

Peace.

Mark

(Excerpt from Up North (c) Sam Cook, 1986)

 

 

 

 

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Christmas in August

 

 

 

 

 

The Judge Who Stole Christmas by Randy Singer (2005. Tyndale. ISBN 978-1-4143-3566-7)

I’m not much for Nicholas Sparks inspired sentimentality. So when someone (can’t remember who but, likely my wife) gave me a copy of Singer’s slender tome about an African American law student named Jasmine who fights for the town of Possum’s right to display the creche at Christmas in the town square, I was apprehensive. In fact, the book languished on my stack of “to reads” for a few years until, bored out of mine and with no other unread fiction to tackle, I picked it up.

Singer is a lawyer and at times, his lawyerlyness creeps into his prose. Crisp, genre diction gets bogged down by legalese and courtroom scenes that are, well, a tad predictable. Still, the story has its moments and a few of the characters, including Jasmine, struck a chord with me. Unfortunately, the male protagonist, Thomas Hammond (who plays Joseph in the creche) and his wife Theresa (who plays Mary) seem to be cut out of rather stiff cardboard: Not at all real, to quote the Velveteen Rabbit.

This is not to say that this “quick read” isn’t worth spending some time with. There are enough positives to be found in the plot and characters to make spending a weekend in Possum worth the effort.

3 and 1/2 stars out of 5.

 

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On Indie Bookstores

 

 

 

Tattered Cover Bookstore Denver, Colorado

Every once and awhile, I run across commentary from someone who says something better than I could. As I’ve often revealed in my blogs, I relish my time spent reading Glimmer Train literary magazine. Though it’s unlikely my short fiction will ever be displayed inside that journal’s pages, I thoroughly enjoy the multifaceted writing that appears in GT. I also enjoy the interviews with writers in each issue. For the Spring 2011 edition, Andrew Scott sat down with writer Christopher Coake and discussed writing and marketing short fiction. This is what Coake had to say about the utility of independent bookstores in marketing midlist authors.

My second wife…works at Sundance Bookstore, which is our local independent, and which has been thriving in Reno for twenty years. They’re terrific…They will hand-sell a book they believe in and move many copies. For people like me, whose book will only ever sell in the low thousands, this sort of attention is vital. If six independent stores sell twenty copies of my book…that’s a measurable percentage of my sales.

The big chain stores generally won’t do this. There are exceptions. Let me be clear: I like all bookstores, even big chain ones…But you I can’t tell you the number of times I’ve stood in a Barnes and Noble and listened to a customer ask an employee where to find an author I know, only to hear the employee bumble around…

Borders and Barnes and Noble can’t help midlist authors, except here and there, almost by accident. Unless you’re the sort of author who gets a stack on the front table, you might as well be invisible…Our local Barnes and Noble has a pretty good fiction selection…but they still miss some…(I)f you care about literature, go to stores like Sundance, City Lights, Prairie Lights, the Tattered Cover, Square Books, Powell’s. These are the places that understand…Ask their advice, and read what they tell you to.

(c) 2011 Glimmer Train

I agree. The local indies (and we’re down to one here in the Twin Ports now; we used to have three), are the places to find books that the big box retailers either have forgotten or never knew about. In my wanderings around the US and Canada selling my books, I’ve read and signed at over 100 Barnes and Noble, Borders, or Chapters stores. All of them are basically the same: Very nice folks who love books but who have a corporate bottom line and corporate philosophy to address. The little guys and gals, like my pal Sally at Fitger’s (or Anita at the now closed Northern Lights)? Sure, they need to make money: Otherwise the store will close like so many other indies have. But their personal touch, their concern for the little guy or gal who gets up at 5:00am (hey, sounds familiar) to churn out stories, well, that just can’t be translated into corporate America.

So if you value the marketplace of ideas, stop in at the Bookstore at Fitger’s when you’re in Duluth or, if you’re out and about on a vacation, pick up a good regional novel from an independent bookseller. Ask the clerk what he or she would recommend as a novel from the area that sets the mood and tone of the place and captures the essential character of its people. That’s what I do and I haven’t been disappointed yet.

Peace.

Mark

 

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I’m Puzzled…

 

 

 

 

 

Olive Kitteridge by Elizabeth Strout (2008. Random House. ISBN978-0-8129-7183-5)

I am not an award winning author. None of my books has won a Northeastern Minnesota Book Award, a Minnesota Book Award, or achieved any other sort of recognition from the critics. I live and die to hear, first hand, compliments about my writing from folks who stop by to chat with me at writers festivals or, during the summer, in my little E-Z UP tent at art and craft fairs. That’s pretty much the only positive feedback I receive. So for me to critique the work of someone who’s won a Pulitzer, well, that’s pretty ballsy, to use a West Duluth term. But, in addition to being a semi-famous regional writer, I’m also a reader. And because I read, I have this incessant need to tell you all what I’ve read and what I think of other writers’ work. So here’s the easy part: I was engaged by (and liked) Olive Kitteridge.

Now for the bad news. You see, I am a linear guy. I like stories that have beginnings and endings and while I am willing to work hard at reading a novel or short story or novella, the caveat is I want to be rewarded for my effort.  Any book that makes me work my ass off to understand its theme, its plot, its characters, well that book better damn well have one hell of a payoff at the end. Ms. Strout’s book, despite its slender size, is not an easy read. Weaving together a dozen or so related characters, each with their own story, but each also forming part of the story cycle featuring Oliver Kitteridge, is a hefty task for any writer. And there’s no doubt, after enjoying Ms. Strout’s finely crafted  prose, that she’s a gifted writer. Maybe one who should one day win a Pulitzer Prize. Just not for this book.

See, I think that sometimes, the folks that hand out literary awards simply want to prove to us that they are smart and we, the reading public, aren’t. That’s my take on how this book went from an interesting read, one that book clubs might like to pick up, read, and then discuss, to a whirlwind of success and America’s highest literary honor. I seriously don’t think it’s because this was the best book of 2008. I’ll be honest: I don’t even know what other books were competing against Olive Kitteridge for the Pulitzer in 2008. I just know that there must have been  a novel or short story collection in the mix that I would have voted for before I picked this book as the best of the lot.

I readily concede that Olive is an interesting protagonist. But you know what? Maybe it’s a guy thing but I didn’t find Olive appealing (and I’m not talking about her physical description): I found her to be mean spirited, sort of cranky, and at times, downright nasty. For Pete’s sake, she hit her kid when he was little: not spanked, but hit. And she really wasn’t all that loving and kind to her husband, Henry, the town pharmacist, and, by Olive’s own admission, a saint. There are other memorable folks who pop up in this book: Angie, the piano player; Daisy, the matinee lover, and a whole host of others. But the main problem with giving us a parade of minimalist insights into these folks’ lives is this: We want to know more and, at every turn (with the exception of Olive whose story comes to some sort of conclusion) the other story threads are left hanging like unwanted Irish pennants. (If you don’t get the reference, you weren’t in boot camp.) Like I said, it’s a matter of style. I tend to like stories that have endings and to my dismay, many of the tales begun in this book simply peter out.  And that’s disappointing to a guy who worked really, really hard to keep the multifaceted cast of this book in perspective until the last page was turned.

4 stars out of 5.

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On the Banks of the Mississippi

Saturday. The sky threatens to open up. Though there is a brief respite to the clouds, as I drive west on US Highway No.2 towards Tall Timber Days in Grand Rapids gray envelopes the landscape.

“Shit,” I mutter, sipping hot coffee as I listen to KAXE, a great independent radio station from ‘Rapids, “another rainy weekend in the E-Z Up.”

I know, I know. My son Matt, my webmaster, has implored me to be “positive” in my posts. I’m trying folks, I really am. But damn. Every time I drive off for another event, the sky seems to want to open up. Where’s the positive in that? Haven’t we had enough rain for the summer? I mean, aren’t these incessant storms causing flooding, destruction, and the loss of crops? No to mention crappy book sales for certain semi-famous regional authors?

OK. Here’s something positive. I am able to unload the Pacifica and the trailer I’m pulling and get the entire booth set up (including three of my wife’s concrete mosaic benches) without a drop of rain falling on my little head. There, that’s a positive thing, right? The author and his books not getting drenched. Very upbeat, I’d said.

The day is slow. The folks that mosey through the festival aren’t buying much. I do sell the biggest, heaviest, most ungainly of my wife’s concrete artwork to an elderly gentlemen as part of a memorial garden for his recently departed wife.

Very positive. Rene’ will be pleased about how the man chose to remember his beloved.

But the books? They aren’t exactly flying off the tables. And the weather? It drizzles for the better part of the day, making the concept of selling paper in the rain very dubious. Of course, the optimist in me (channeled there by my eldest son) is happy it didn’t pour.

When I get home, my wife’s entire family is at our house: Rene’ called them together for an impromptu picnic. Dog tired, I don’t say much to the in-laws as I wander up to the shower and rinse off the grime of the road. Later, after my belly is full and I’ve had a couple of cold ones, my mood lightens and I’m a happy guy. Leinenkuegels will do that for you.

Sunday. The sky is still gray.

What the hell good are those weather forecasters anyway?

Every television guy or gal spouting their knowledge of all things weathery said that it was going to clear up and be a sunny day. Wrong. Pewter clouds sit above the river and off to the west. I don’t leave the clouds behind as I drive towards the festival. But on a positive note, I’m listening to To Have and Have Not by Hemingway on the CD changer.

Hemingway’s the guy that showed me how to write, how to tell a story.

I’ve read just about everything Papa wrote down on paper and I still admire his unique, crisp style. A bit misogynistic but still, one of my favorites. The story makes me forget about the close sky and the likely slow sales I’ll encounter at Tall Timber Days.

The festival continues at the same snail-like pace. Some vendors literally pull up stakes: They take their tents down and leave early. But not me: I’m an optimist, always looking for a surge of customers at the end of an event to make my bottom line better. Never happens, of course. Sundays are always slower than Saturdays. Wait, that’s not true. Phelps Mill, out in Fergus Falls is an exception to that rule: Sundays at Phelps Mill are always better than Saturdays. Don’t know why. But they are. And guess what? That holds true at this year’s Tall Timber Days as well. The sales aren’t great but I do sell more on Sunday than Saturday. Maybe my positive vibe is showing. Or maybe it’s because it didn’t rain as much on the Sabbath. Or maybe it’s because local writer Tom Chapin (Poachers Caught) takes pity on my plight and starts hawking my books inside the E-Z Up with me. Whatever the reason, I drive home a bit happier. Not a lot happier: just some.

Peace.

Mark

 

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Always Learning

 

 

 

 

 

The Discovery of Insulin by Michale Bliss (2007. University of Chicago Press. Eli Lilly 25th Anniversary Edition. ISBN 978-0-226-05899-3)

Normally, I don’t read medical literature. But, when researching a character who’s afflicted with a particular malady, an author needs authenticity. In those situations, authors (including this author) read medical literature.

In the case of the female protagonist in my novel-in-progress, Sukulaiset: The Kindred, the condition Elin Goldfarb battles (in addition to Communists and Nazis) is diabetes: a disease of the pancreas that affects millions of Americans. Type I, or insulin dependent diabetes, is the condition that Elin must deal with as she wanders through Depression-era Karelia and WW II-era Finland and Estonia. So in dealing with the character, in trying to make her situation as real as possible in a work of fiction, I asked a friend’s wife, Dr. Jen McVean, a medical doctor and a specialist in childhood diabetes, where I could find historical information on the disease. She pointed to Bliss’s book as the place to start.

The Discovery of Insulin depicts the work of four Canadian researchers/physicians during the early 1920s. Dr. Frederick Grant Banting, an ordinary surgeon, hit upon the idea that the pancreas contained certain enzymes that might be of benefit in the treating of diabetes. He was not the first person of scientific background to claim this hypothesis but, after presenting it to Professor John Macleod at the University of Toronto, Banting was allowed to conduct some experimental surgical work on dogs. He was given one assistant: Charles Best, a medical student. Another researcher, Dr. James Collip, eventually joined the team. Though there was much rancor and dissension between the four men (mostly caused by Banting’s incessant drinking and fragile ego as depicted by Bliss), eventually, the research isolated insulin as a compound worthy of testing on human beings in the last stages of the dreaded disease. The cures that were achieved once the team got the “bugs” out of their concoction were remarkable.  Young men and women were brought back from the brink of diabetic comas to life. Living skeletons starving on diabetic diets regained good health and went on to live relatively ordinary lives on insulin injections (with Eli Lilly being the first commercial manufacturer of the compound). By the mid-1920s, the time frame for the beginning of my novel, the drug was available worldwide and diabetics were no longer destined for long, excruciatingly painful deaths due to their bodies’ inability to metabolize food.

In a controversial move, the Canadian government awarded Banting the lion’s share of recognition for his work (even though later analysis proves his original idea (“The Idea”, in Banting’s own words) was a based upon a false premise) which, of course, soured the other three men towards Banting. Adding insult to injury (to Best and Collip), Banting and Macleod shared the 1923 Nobel Prize for Science, the only Canadians to do so.

The book added immensely to my knowledge regarding the pathology of diabetes and the discovery of insulin as a treatment for the disease. However, Bliss’s work does bog down in repetitive descriptions of Banting’s and Best’s experiments on dogs (many of whom died during the research). It is when Bliss concentrates on the human interactions between the researchers and their human failings that the book holds a layman’s interest.

3 stars out of 5.

 

 

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Why They Did it…

 

 

 

 

 

 

Finland’s War of Choice: The Troubled German-Finnish Coalition in WWII by Henrik O. Lunde (2011. Casemate Publishers. ISBN 978-1-935149-48-4)

In researching my novel-in-progress, Sukulaiset: The Kindred, a book that explores relationships (personal and governmental) between Karelia, Estonia, and Finland from 1930 through the end of WWII, I have logged hundreds, if not thousands, of hours on the computer reading web articles about The Winter War, The Continuation War, and related topics on geography, weapons, politics, religion, and the like. I’ve also read a good dozen or more books, both fiction and non-fiction, on the same subjects. This past weekend, I stumbled onto a wonderful resource regarding the political realities, tactics, and battles involving the opposing forces that participated in The Continuation War: Finland and Nazi Germany on one side and the U.S.S.R and its allies on the other. Marge Skube (the mother of my court reporter in my other life as judge) had purchased Lunde’s book with an eye to learning more about her parents’ birthplace and the struggles Finland experienced during the middle of the 20th century. But the book’s emphasis on strategy and military tactics in minute detail didn’t hold Marge’s interest so, knowing of my interest in all things Finnish, she stopped by my booth at the Ely Blueberry Festival and gave me her copy.

As Marge discovered, Finland’s War of Choice is chock full of maps, photographs, and factual text regarding the politics, strategy, and battle plans of Finland’s uneasy collaboration with the Nazis. For me, a fiction author trying to “connect the dots” regarding one of my protagonists (an American Finn serving in the Finnish Army on the Karelian Front) the book is an invaluable resource. I will be able to accurately link my fictional character to real events in ways that bring life to make-believe because of Lunde’s exhaustive work. The book is a gold mine of information and a definite 5 star resource. But how does the book stack up as general reading fare?

Well, Marge is partially right: There is so much detail involving the placement and movement of military units that, if you’re looking for a single volume written in English that tells the complete tale of Finnish participation in The Continuation War in broad, sweeping terms, this isn’t the book for you. But if you’re interested in how and why the Finns, under Mannerheim and Ryti’s leadership got themselves involved in an attack on a nation forty times the size of little Finland, then Finland’s War of Choice will give you an invaluable perspective into whether the war was necessary (to prevent the Soviets from striking first) or a total mistake (because the Germans were never going to win, which meant that Finland would once again have to kowtow to Russia). Well researched and written, I highly recommend the book to anyone interested in Finland’s long forgotten role in WWII.

4 stars out of 5.

 

 

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