Mostly, I Fell Asleep

 

 

 

 

 

Wake Up, Sir! by Jonathan Ames (2004. Simon and Schuster. ISBN 978-0-7434-4907-6)

OK. My title for this review is a bit harsh. To be fair, I don’t ordinarily choose humor as my choice of fiction: I lean to the dark, the serious, the literary. So I’m not the best choice to review this novel, a book proclaimed by The New York Times Book Review as a notable book for 2004. I’m not sure what the undaunted arbiter of good taste (The Times) saw in this novel. But then, who the hell am I?  What the hell do I know anyway? But, since I started to try to give you, kind readers, an “Average Joe’s” view of Mr. Ames’s book, here goes.

The premise of this tale is that Alan Blair, a once published, now writer’s-block-plagued Jewish novelist hits the road with his man Friday, Jeeves, a personal attendant right out of an old British sit com. Alan sets out to rekindle the flickering light of creativity by escaping to the New York State countryside. But, after a false start (involving a slight error in judgment by Alan) the protagonist is invited to a writer’s retreat in Sarasota Springs. Surrounded by kooks, nuts, and depraved artists and writers, Alan falls into debauchery and shenanigans involving crabs (the genital kind), a beautiful blond with a Jimmy Durante nose, too much booze, too much pot, and very little writing. I have to admit: While reading the book in my booth during the recent Living Green Expo in St. Paul, I laughed real belly laughs as I read some of the scenes. At its best, the plot moves along like a Seth Rogen movie: Smart and mature in its humor and distinctly more compelling than Will Farrell’s increasingly stupid movie plots and characters. (Note to readers: Avoid Farrell’s “Semi-Pro” like the plague. It is the worst movie I’ve ever seen.) But, despite the guffaws the story drew from me as I sat in the cavernous exhibition hall of the Minnesota State Fair grounds (strangers likely avoiding my booth due to my inappropriately loud laughter)  the book just didn’t do it for me.

Why? The plot is more screenplay than novel. Maybe, for some readers that relationship, that dissonant chord makes for a good read. But not for me: I want meat on the bones of a story’s skeleton. I want to experience compassion, passion, empathy, conflict, lust, revenge, redemption, and any number of other adjectives that make a story compelling as I dig in. Wake Up, Sir! doesn’t display such attributes. And even though the absurdity of having Alan traipse around New York State with his butler is the focal point of the satire; I think Jeeves  should have found a good English cozy mystery to inhabit. That career choice would have spared him the embarrassment of playing second fiddle is this thinly orchestrated comedy.

3 stars out of 5.

 

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Surrounded by Sustainability

My booth at Living Green

Rene’, Jack and I drive I-35 in my Pacifica loaded with books and the trappings of book selling. It’s Friday night after work and we’re headed to the Twin Cities to stay with the Schostags, Rene’s sister and brother-in-law and their two kids. Free lodging. Good company. Maybe a meal or two: The elegant life of a semi-famous novelist. The weather is clear and cool. We stop for a bite to eat at a little ma and pa in Barnum. It’s nearly nine-thirty at night when we pull into the Schostags.

Saturday morning. 5:00am comes early. I’m a bit behind the eight ball because I haven’t set up my booth in the Education Building at the Minnesota State Fairgrounds in St. Paul. It’s been a long two weeks at my “real” job: Back-to-back jury trials. First a complex civil case and now an ugly intrafamilial criminal matter involving allegations between brothers. I’m wore out; done in. But I get up from the couch I’m sleeping on and wander upstairs to take a shower. Restorative hot water cascades over my tired bones. A quick stop at McDonald’s for an egg McMuffin, coffee, and a small O.J. and I’m on the road to St. Paul. It’s nearly an hour drive from Lakeville, where we’re staying, to the fairgrounds. But there’s no traffic. The sun is rising. Life is good.

The event I’m headed to, the Living Green Expo, is a big deal: Minnesota’s largest environmental fair. There are hundreds of booths, both commercial vendors who promote their “green” products and services; and conservation organizations, like Defenders of Wildlife and the Audubon Society. I find my building, park my car, and hustle inside. There’s no one around. The cold, cavernous space is crammed with booths and exhibits. I find my spot, B-25 (sounds like a bingo call), grab an empty, low slung wooden dolly, and unload the Pacifica in one trip. The first order of business is putting up my Cloquet River Press sign and the posters of three of my books; Mr. Environment (the reason I am here), Pigs, and Suomalaiset. I climb a metal step stool I brought with, ball of twine and knife in hand, and go to work. After an hour of hustle, the booth is up and ready for business.

Traffic is slow but steady. I chat with my neighbors on either side between customers. To my right, there are two ladies who own a construction/design company specializing in green buildings. They buy one copy of every book I have for sale. To my left, there are a husband and wife couple selling prefabricated wall and roof panels. They buy three or four books from me as well. I’m lucky. Both sets of neighbors share my politics and my view of the world. Of course, this is an environmental expo: I didn’t expect Dick Cheney to show up here.

I grab some wood-fired pizza for lunch, pizza made from scratch just outside the doors to the Education building by a vendor with a portable pizza oven. The food is excellent: better than many pizzas I’ve had in pizzarias. During slack times, I read a novel my son Chris bought me for Christmas, Wake Up, Sir! (a review should be up tomorrow on this site) and talk to my neighbors. As I struggle to hand sell my books to the folks walking by, I come to a stark realization:

All the folks who stop and tell me what a great guy my Uncle Willard was, all the environmental types that urged me to write his story, not a single one of them has bought a copy of his biography.

It’s the gospel truth: I have probably ten people who stop, look at the book, and claim to be FOW (Friends of Willard) who either knew him, knew of him, or worked with him on environmental matters. Not a one of them opens their wallet and buys a book. Not a one!

Still, I entice enough non-FOWs into my clutches so that I sell a few copies of this and that, and, by the end of the day, my back sore from standing on concrete, my knees and hips aching, it’s been worthwhile.

Saturday night my brother-in-law Allen grills burgers and dogs the old fashioned way: over charcoal. The adults and my niece Claire settle in to watch Winter’s Bone, one of then ten nominees for “Best Picture” this year. My eyes are heavy as the spooky, well-crafted indie flick fades to black, and the Schostags head up to bed, leaving the two couches to Rene’ and I.

Sunday morning. The sky is gray and threatening.

I wonder if rain will make attendance better or worse?

I haven’t a clue. This is only my second year doing this expo. Last year all the vendors were in one building on the fairgrounds, in the grandstand. This year, we’re scattered between four smaller buildings with outdoor activities spread throughout the venue. I heard some vendors in my building (not my immediate neighbors) grousing about the new set-up. I really don’t have a dog in this fight: My sales are modest but acceptable. About what I did last year in the grandstand, give or take. I’m not getting rich, selling books to the Greens. But then, I didn’t expect to.

The day starts slowly but by the time Rene’, her sister Colleen, and Jack and his cousin Alex show up, I’ve made my goal in terms of sales. I’ve finished the novel I was reading, made a few new friends, had some return customers stroke my ego, and stayed warm and dry in the exhibition hall despite the rain pouring down outside. My question is answered: The rain neither helped nor hurt. The traffic was about as I had expected.

Quarter to four. I remove signage and pull cartons and bins out from under my table. By four o’clock, my display and stock are packed away. I haul heavy boxes and plastic bins out to the Pacifica on the adjacent street. In my mind, I calculate sales: Mr. Environment was the best seller of the show by a book or two.

It’s gonna take a long time to empty that storage building, I think as I drive my sister-in-law and her son to their car through drizzle. 2,000 books, one at a time is gonna take a long, long time.

Peace.

Mark

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Three Minutes

Photo by Amanda Hansmeyer

 

 

 

 

 

Monday night. I have plenty of time to exit my chambers at the courthouse, take the stairs to the third floor, wander out to my Pacifica in the parking ramp, grab my “author” clothes from hangers suspended in the cargo space of the van, and return to the privacy of my chambers to change.

3 minutes. They’re only giving me 3 minutes and I’m the freakin’ winner.

I’ve been practicing. For tonight and my three minutes of fame. You see, on a whim, and over the course of one Saturday morning about a month or so ago, I sat at this very keyboard, fired up my iMac, and wrote a short story entry to the Lake Superior Writer’s 2011 Open Genre Writing Contest. Poets, essayists, and short fiction writers were all welcome to submit a piece to LSW in hopes of winning recognition, a bit of cash, or both. So I wrote “Threshold”, a short story in response to Amanda Hansmeyer’s photograph (see above), which all the applicants used as a prompt.

Now, over the years, I’ve submitted many short stories and essays to literary magazines and journals and writing contests. The closest I ever came to winning the brass ring (a national level prize) was back in 2000, when my essay, “Leaving Mayo” was a finalist in the Faulkner-Pirate’s Alley writing contest in New Orleans. But that’s as close as I got to winning anything until recently, when my essay “Katherine Lake” was selected by 1,000 Friends of Minnesota, and my postcard story, “Missing” was named a winner by the Northwestern Ontario Writers Workshop. Granted, neither of those were as prestigious as winning the Faulkner but any recognition in the lonely pursuit of writing is a good thing, in my humble view of the world.

Sometimes knocking your forehead against the wall (metaphorically only; I need my brain cells) and submitting your work to a contest only to receive yet another rejection is the last thing a writer needs. With every word that’s typed, every plot that gets twisted, every comma that gets placed, I have doubt: doubt that what I write, what I create means anything, is anything. So, over time, I’ve lost my enthusiasm for submitting. That’s changed a bit with my recent modest success. And when I saw Amanda’s photograph in the Duluth News Tribune and LSW’s call for entries, well, I just had to give it a shot. And darn it if I didn’t win, which meant I was going to read from “Threshold”. For three minutes. To what likely would be a small audience of LSW Board members at the annual LSW meeting at Teatro Zuccone, the trendy little theater attached to the Zinema and Zeitgeist Arts Cafe in Old Downtown Duluth.

I sit at a small wooden table in the basement of the DeWitt Seitz Building, in the Amazing Grace, eating a sandwich, slurping corn chowder, and marveling at the energy of the young women working in the place. They remind me of days gone by, of when I was  a college kid chasing my wife to be. Every now and then, I pretend to read from an essay in The Sun, one of my favorite literary magazines (and a publication which has rejected my work). For a while, bitter loser that I am, I stopped subscribing to The Sun after receiving yet another rejection from it. But I’ve grown some as a writer: I don’t take it personally anymore. Much. I write that I am pretending to read the Sun because my eyes can’t seem to stop following the women of Amazing Grace. There’s a short, well configured young lass with slashed auburn hair and an intriguing array of tattoos displayed against her dark skin. There’s a tall, angular red head whose eyes sparkle and mouth purses. There’s a lanky blond working at her MacBook, papers strewn all over the table top, obviously cramming for a college exam.

Youth. Wondrous, beautiful youth.

I shove trash into the garbage can, recycle a glass juice bottle, and stack my plates and utensils before leaving the funky old bakery. I don’t turn any heads: None of the young women notice the old man leaving. I’m just another semi-famous local author on his way to his 3 minutes of fame.

“I think I’m supposed to read tonight,” I say, standing in front of Kyle, a poised young social worker-poetess who often appears in front of me when I am working my “real” gig as a judge.

I can tell that, because we’re both out of our element (no black robe, no big oak bench as a buffer) I’ve caught the young lady off-guard.

“Excuse me?”

“Mark…Judge Munger.”

“Oh, I didn’t recognize you. Yes, as the first prize winner, you’re actually going to read first, before the poets.”

We talk a bit more.  I understand my role in the evening’s course of events: Short LSW meeting. An introduction from Kyle. Accept the check. Read for three minutes. Sit down. Go pick up Jack from Boy Scouts.

That last item, of course, no one else at the theater knows about. I’m doing double duty tonight, as I have for thirty-one years: I’m not only the writer guy; I’m Dad.

Patty, an old friend from law school, someone I haven’t seen in three decades, shows up to hear me read. We exchange pleasantries. She sits next to me in the front row of the darkly lighted theater. The place begins to fill up. Soon, every seat in the house is taken. There are a couple dozen folks of all ages, shapes, and sizes standing in the spooky recesses of the entry way.

Standing room only.

Then it’s my turn. I take the stage to join the young woman.We follow our prearranged ritual: Kyle introduces me,  hands me an envelope containing my check and reclaims her seat. I take a deep breath.

“It’s dangerous to give a lawyer a microphone and tell him he’s only got three minutes to talk,” I say.

Laughter. I read. I don’t screw up (much). I sit down. I am amazed by the talented poets, young and old, who follow me.

It’s a remarkable night.

Peace.

Mark

Thanks to LSW for making the night one to remember. You can read the entire story, “Threshold” filed under the tab “Other Writings” on the dashboard of this blog site. If you live in the Lake Superior Basin and want to become part of a vibrant writing community for support, socialization, or just to hang out with cool folks, contact LSW for a membership application at http://lakesuperiorwriters.wordpress.com/membership/. You can see more of Amanda’s remarkable photography at http://amandahansmeyer.photoshelter.com/.

 

 

 

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A Titanic Discovery

Oh oh. The situation all authors of historical fiction dread: Someone points out you got it wrong. Dead wrong, in this case, as I will explain.

In my well received and widely read novel of Finnish immigrants to NE Minnesota, Suomalaiset: People of the Marsh, I start the book with a short novella about Finnish immigrants traveling aboard an unnamed vessel which turns out to be…(drum roll, please)… the Titanic. Why is the pre-story part of the story? Simple: I thought I’d learned something about Finns and the Titanic which was so interesting and compelling that I wanted to include it in the book. When it became clear that the story of Finns on the Titanic wouldn’t really fit with the main plot of the novel, the Titanic piece  became a separate but related prequel so to speak. The story of Juha Stranden and his survival forms a suitable beginning, in my humble view, for the larger drama. So what’s the problem, you ask?

Well, part of the Titanic story as it relates to the Finns on board that ill fated ship involves the drowning of an entire Finnish family, the Panulas.  It also includes the remarkable tale of forensic geneticists at Lakehead University in Thunder Bay, Ontario who link the remains of an infant boy retrieved from the sea a week after the ocean liner’s sinking to Eino Panula, the youngest of the five boys who died. That revelation, which was announced as fact in the late 1990s, is no longer valid history.

Though the remarkable work of putting Eino Panula’s name to the unknown body entombed at the foot of the Titanic memorial in Nova Scotia is compelling, recent investigation by the same laboratory at Lakehead University confirms that the body entombed in Halifax is not Eino Panula’s  but that of an English child, Sidney Goodwin.

It’s very easy to say you got this wrong, but nevertheless, that is how science works, and you do change your ideas and you do change your theories,” said Ryan Parr, the case’s lead researcher at Lakehead University.

(The Telegraph, 02 August 2007)

Did this author “miss the boat”? (Sorry.) Not really. I began the research for Suomalaiset in 2001. The book was published in 2004. At the time of publication, and indeed, for three years thereafter, the consensus was that “Our Babe” (the inscription on the unknown child’s coffin) was Eino Panula. And I, of course, was happy that such was the case since I’d used that bit of trivia to launch my most successful novel. But hey: I don’t want to be linked by factual inaccuracies (even in a fictional novel) to the likes of James Fry or Greg Mortenson. Not gonna happen. So when I came across the article about Sidney Goodwin in Yahoo News, I had to come clean.

So now what should I do? Here’s what I suggest, loyal readers of Munger books: You tell me.

There’s a poll on the right hand side of this blog that asks the question “What Should Mark do about the new information regarding “Our Babe”, Sidney Goodwin?”. You have four choices. Pick one. The poll will be open for a month. No promises as to what I’ll do after you all vote. But it should be interesting to find out how you think I should handle this discovery.

Peace.

Mark

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The Winter War

 

 

 

 

 

The Winter War by Elise Engle and Lauri Pannanen (1973. Stackpole Books. ISBN 978-0-8117-2433-3)

In the process of researching and writing my new novel about Finland, Karelia, Estonia, and the United States between the Great Depression and the Second World War, I have been reading quite a few very well written books from foreign authors on these topics (all translated into English, of course!). This slender non-fiction account of the Soviet Union’s unprovoked attack on neutral Finland (the country had allied itself with Sweden and Norway and did not want to be dragged into the war) in November of 1939, is a great place to begin your understanding of the Winter War and what the Finns were able to accomplish against a much larger and better equipped aggressor. I had the misunderstanding (as I am sure most non-Finns do) that the Winter War, a defensive struggle that preserved Finland’s independence, was cheered as a victory by the Finns. I was wrong in my perception: The authors of this exhaustively detailed account of the causes for the war, the battles, the personages, the tactics, and the end result make it clear that Finns of the time did not consider the Winter War to be a success. By the time of armistice, nearly 450,000 Finns in Karelia were given this unattractive choice: Stay in your homes and on your farms and become Soviet citizens or leave everything behind and move to Finland. Unanimously, the Finns of Karelia moved, a circumstance which, along with the territory, resources, reparations, and infrastructure Finland  handed over to Stalin left a bitter, bitter taste in the nation’s mouth.

At times, the writing in the book seems to migrate towards memoir or even fiction by bringing first-person and third-person narratives into an otherwise fairly clinical and scholarly work. It’s as if the authors couldn’t decide whether to write a more detailed and less poetic version of Antiti Turri’s novel of the same name (The Winter War. 2003. Aspasia Books. ISBN 978-0-973-1-5339) or stick to the facts. Such diversions can be, when an author is looking to the volume in front of him or her as a reference, a bit disconcerting. What is truth? What is embellishment? But, in this book, this problem is minimally distracting and doesn’t impact, in my view, the overall veracity of the work.

Of great help to me in understanding the conflict were the battle maps and photos.

A very fine resource regarding a fairly obscure topic.

4 stars out of 5.


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A Big Book…A Big Deal

 

 

 

 

 

Autobiography of Mark Twain Edited by Harriet Elinor Smith (2010. University of California Press. ISBN 978-0-520-26719-0).

Wow. This is a ginormous work. The introduction is 58 pages alone. The main text runs 469 pages of very small font in its present hard cover, textbook size format. The Explanatory Notes begin at page 469 and end at page 650; which are then followed by the Appendices. All in all, the book runs well over 700 pages. But here’s the thing: It is the 469 pages of Samuel L. Clemens’s fits and starts, his attempts to chronicle his life both in and out of letters, that make this work sing. In many ways, I wish the scholars who are charged with preserving Clemens’s life story, a story he forbid publication of until 100 years after his demise (he died in 1910 at the age of 74; hence the publication of the book in 2010) had chosen to honor one of America’s greatest humorists and storytellers by putting his words in a format we commoners would appreciate. This effort, as brilliant as it may be in terms of documentation and scholarship, is anything but reader friendly.

First off, have you ever tried to sit in bed, or in a chair, or on a sofa, or in a hammock (likely the place ol’ Mark himself would prefer on a sunny Missouri afternoon) with a book having the heft of a small pig and the girth of a fat woman? Can’t be done, at least not in comfort. For a life story about a man of the people, a guy whose humor was revered by the unwashed masses, this book leaves those folks in the dust: It’s a friggin dictionary, for Pete’s sake. It is cumbersome and unwieldy. It’s heavy and can cause the reader who deigns to pick the volume up without  proper precautions (think stretching exercises) a hernia. No, friends, this is not what Mr. Clemens envisioned when he left his life story behind for posterity.

Then there is the structure of the book itself. Broken up as it is into a faux doctoral thesis, the magic of Twain gets lost in the egg headed highbrowness of someone’s vision of what posterity demands of Clemens’s life story. Why not, good editors, create two versions of the book and release them simultaneously: The thick thighed monolith of prose that I am now staring at and trying to describe (perfect for Twain aficionados and scholars) and a slimmer, more robustly entertaining volume for dullards like me? You know, folks that actually want to read Clemens purely for entertainment and enjoyment? With digital technology, there’s no cost involved in creating two manuscripts from the same wealth of material. And guess what? You’d have a book, in the smaller, less ostentatious version, a guy like Munger could bring with him to the beach. Fancy that.

Enough complaining. So how is Clemens’s autobiography as story? Riveting. It takes a bit to get used to the fact that Clemens was trying to break ground here with the format he chose (dictated recollections which don’t necessarily proceed in chronological order). But once you’re able to forget your initial skepticism as to the book’s non-sequential arrangement, hold on to your hats! The stories are first rate. The humor, vintage Mark Twain. Here’s a sample which purports to recount the author’s first visit with Governor (later President) Grover Cleveland:

So Cable and I went to that majestic Capitol building and stated our errand. We were shown into the Governor’s private office, and I saw Mr. Cleveland for the first time. We three stood chatting together. I was born lazy, and I comforted myself by turning over the corner of a table into a sort of seat. Presently the Governor said:

“Mr. Clemens, I was a fellow citizen of yours in Buffalo a good many months, a good while ago, and during those months you burst suddenly into a mighty fame, out of a previous long continued and no doubt proper obscurity– but I was a nobody and you wouldn’t notice me nor have anything to do with me. But now that I have become somebody, you have changed your style, and you come here to shake hands with me and be sociable. How do you explain this kind of conduct?”

“Oh,”I said, “it is very simple…In Buffalo, you were nothing but a sheriff. I was in society. I couldn’t afford to associate with sheriffs. But you are a Governor, now, and you are on your way to the Presidency. It is a great difference, and it makes you worth while.”

Splendid writing, that.

Feast on this little snippet of a scene from a more serious topic: Twain’s recollection of his first meeting with Helen Keller who was born blind, deaf, and dumb:

I remember the first time I had the privilege of seeing her. She was fourteen years old then. She was to be at Laurence Hutton’s house on a Sunday afternoon, and twelve or fifteen men and women had been invited to come and see her…The company had all assembled and had been waiting a while. The wonderful child arrived now, with her equally wonderful teacher, Miss Sullivan…The guests were brought one after another and introduced to her. As she shook hands with each she took her hand away and laid her fingers lightly against Miss Sullivan’s lips, who spoke against them the person’s name. When a name was difficult, Miss Sullivan not only spoke it against Helen’s fingers, but spelled it in upon Helen’s hand…Then I told her a long story, which she interrupted all along and in the right places, with cackles, chuckles, and care-free bursts of laughter. Then Miss Sullivan put one of Helen’s hands against her lips and spoke against it the question: “What is Mr. Clemens distinguished for?” Helen answered, in her crippled speech, “For his humor”. I spoke up modestly and said, “And for his wisdom.” Helen said the same words instantly–“And for his wisdom.” I suppose it was a case of mental telegraphy, since there was no way for her to know what it was I had said.

For those readers, like myself, who’ve attended one or more of actor Hal Holbrook’s legendary performances, where, through magical metamorphosis, the actor becomes Mark Twain, the gems of observation in this book bring to mind Holbrook’s absolutely dead-on portrayal. This book could have been one of those raggedy epistles every writer carries around in his or her backpack when he or she wanders off to think big thoughts. Sadly, you’d need a truck to cart this book with you in its ill-conceived present configuration. But here’s hoping a more pedestrian, less high-brow version of this excellent work comes out soon.

5 stars out of 5 for Clemens’s original content; 3 and 1/2 stars out of 5 in its present format.



 

 

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The Pondering Man

Ponder (pon’ der) v.i. 1. to consider something deeply and thoroughly; meditate…

In hindsight, maybe the title of this piece should be “the ponderer” (n., one who ponders)

It’s 6:00pm. Wedndesday evening. My belly is full of Vietnamese food from A Taste of Saigon. I’m alone, killing time before I drive over to UWS to teach environmental law to young men and women, mostly seniors on the verge of graduation and stepping out into an economy to look for their first “real” job. Things don’t look good for the kids at this point, what with the economy in slow gear as it climbs a hill created by graft, corruption, and greed. Not their fault. Not my fault either. But it is what it is and only the strong survive. That’s America, right? From kids’ Little League and softball to the majors; America is all about competition. Welcome to the Big Leagues is what my students will get come commencement. I hope they can at least hit for average.

I head over the Lift Bridge, Duluth’s iconic landmark of steel spanning the ship canal. I may or may not stop at the Park Point Community Center, park the car, and walk down to the beach. I did that the last time I was pondering.

Might be bad karma to do it again.

I listen to rubber whine over the steel mesh deck of the old bridge as I cross from city to point. A big laker rides low on Lake Superior, her belly full of coal or grain or limestone. The boat has just passed under the raised span of the bridge and is chugging north, towards the locks at Sault Ste. Marie. It’s too early in the year for pleasure boats to be out and about. I drive by powerboats and sailboats in Tranquilty Cove and Lakehead Boat Basin. The boats sit in wooden cradles awaiting the application of copper bottom paint to their hulls and whatever mechanical adjustments the long winter requires. I stop at the stop sign by the vacant Bayside Market and ruminate (something akin to pondering) what I would do with the building if I had money and time. I have neither but, what the hell. A guy’s gotta dream, right? With visions of a great little convenience store-coffee shop-bookstore-bakery-law office-art gallery in my head, my Pacifica pulls away from the silent building. I mosey down Minnesota Avenue (the only real road on Park Point, a spit of sand that juts out into Lake Superior). “The Point” (as we Duluthians affectionately call it) ends in sand and red pine forest and poison ivy near the only natural break in the dunes: The Superior Entry. I say mosey because the speed of my car, as is so often the case, is in tune to the music on my CD changer. No Springsteen or Pearl Jam spins tonight. It’s Duluth’s own Low, the band’s new CD, “C’mon”, and the lush, slow sounds of orchestral rock done right that plays behind my pondering. I drive slow, at a crawl, in tune with the tunes so to speak. And because there is no traffic, no pissed off Pointers rushing to get home after work, no one cares.

I pass the community center without stopping.

My last visit to The Point, I stopped at the community center and walked down to the beach to watch waves stirred up by gale force winds. I picked sand out of my scalp  for a week after that bit of pondering.

I pass the little Episcopal church, the Catholic chapel, the nursing home, and the rowing club before coming to the parking lot near the end of Park Point. The lot isn’t the true end of Minnesota Avenue: you can drive a bit further, into Sky Harbor Airport, but I have no reason to go there. So I turn into the cul-de-sac (the program I am using hates this word, with or without the hyphens) near the boat landing, find a spot (I have absolute freedom of choice as it seems no one else is out pondering today), park the Pacifica, turn off the ignition, and listen to Low.

What does this place sound like?

I turn off the music. A nearby sandbar is crammed with herring gulls: Their high pitched calls (likely love songs of the birded kind) pierce the still, spring air. The ice is completely gone from the harbor. Nothing moves on the water. Across the bay, on the Wisconsin side, I hear locomotives pulling rolling stock over tracks and the occasional train whistle.

This exercise, my searching for a place to ponder between the hustle and bustle of the courtroom and the vigor of a university class, doesn’t come easily to me.

Hell, I’m up at 4:30am typing this piece because I’m not the sort of person to sit idle, to simply think.

But I am learning. After fifty-six years of living, I am learning that a man needs to do more than simply act. He needs to think. He needs to ponder.

I think no great thoughts while I listen to the gulls. I endure no epiphanies or moments of inspiration from the heavens during my few minutes of contemplation on the shore of the river that separates two northern towns. I simply ponder. And that seems to be enough.

Peace.

Mark

 

 

 


 

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Thinking and Walking (April, 2011)

I finished my court docket just before noon. Even though it was a crappy day (wind, cold, snow on the way only a day after the temp hit seventy degrees) I needed a walk. To clear my head. To feel the fresh breeze. I was in one of those moods that only putting your feet on the ground and moving forward can cure.

I’d heard about a new CD released this week by Duluth’s quintessential slow rock group, Low. I saw the band once, years ago, before they became like me (the writer): semi-famous. My kid’s gave me that label in Winnipeg when the A-Channel up there interviewed me and put my mug on Canadian television after the publication of my first book. In hindsight, “semi-famous” isn’t the right adjective for Low. “Mostly famous” is likely a better fit.

Anyway, my original intent was to walk to the Last Place on Earth in downtown Duluth and buy the new Low CD. I’m the kind of guy who shops at a very limited range of stores: places with music; places with words; places with shovels; and places with electronics. That’s about it. I rely on my good wife Rene’ for toothpaste, underwear, the occasional Christmas gift tie, food, and shoes. Everything else, in my view, is extraneous and not worth wasting my precious time on.

Of course, any meander on a city street usually includes a diversion or two. My walk today had one: A stop and a period of reflection at the Clayton Jackson McGhie memorial at the corner of 1st Street and 2nd Avenue East. I hadn’t planned on walking east on First Street but something prompted me to do just that and once I headed east, it became clear that the memorial (dedicated to three young black men wrongfully accused of the rape of a white woman and lynched from a light pole by a mob of Duluth working men) was not going to allow me to walk past history. So I stopped. Not for hours: just for a few minutes. As long as it took to read the quotations from Rumi, Dr. King, and the others inscribed into stone. As long as it took to read the description of that terrible event. As long as it took to pay my respects, silently stare at the busts of the three victims, and wonder whether we’ve learned anything at all in the two hundred plus years of our country’s existence. I didn’t cry. I didn’t pray. I simply stopped, read, and pondered. And only then was I able to walk on.

As I picked out the Low CD (and the latest by guitarist Charlie Parr) at the Fetus, the bronze likenesses of the three black men overwhelmed my thoughts. I’m certain that the clerk at the music shop wondered why an old guy with graying hair and scratched glasses was buying music meant for her generation. But I doubt she understood that my blank stare was due to a hauntingly real vision of me (or someone like me) standing in a crowd of angry white men, screaming for the blood of three innocent black circus workers.

I was there that day. So were you, is what I was thinking as I paid the young lady and left the store with my music. The walk back to the courthouse was slow: I labored against the wind carrying my city’s guilt as if it was my own.

As I approached the Priley Fountain, the water shut off and drained, members of the “Tea Party Express”, maybe fifty or so, stood in front of Duluth’s memorial to the Civil War, beneath a gigantic, fluttering American flag. One of the Tea Party leaders was screaming something over a bullhorn to loud applause. I didn’t hang around to hear what was being said: I doubted whether more than a handful of the self-proclaimed “patriots” standing in the civic center had ever visited the Clayton Jackson McGhie memorial or knew what had happened in Duluth on June 15th, 1920. As I passed them, I looked into the faces of the protesters: There were no folks of color in attendance. I left the rally without comment. I followed my old man’s advice “Never to get into a pissing contest with a skunk” and I wandered back to my office.

I’m typing this piece during the remainder of my lunch hour. I’m listening to the gorgeously arranged song, “Nothing but Heart” from the Low CD, “C’mon”. The music is playing on my computer. Low is on loud enough to drown out the protesters outside my window. With the song as background, I piece together what I’ve learned this lunch hour and I come to this:

Despite the wind, the gray sky, the cold, our city’s past, ignorance, and anger, there is beauty in the world. Take a walk. Go out and find it.

Peace

Mark

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The Big Sky – Review

 

The Big Sky by A.B. Guthrie, Jr. (Mariner. 1947. ISBN 978-0-618-15463-0)

Dark. Foreboding. Tense. Intense. Unapologetic. Testosterone-driven fiction. These are the adjectives I’d use to describe Guthrie’s classic western novel depicting the travels and life of Boone Caudill, a Kentucky boy who, after getting the better of his abusive Pa, steals his father’s long gun and sets out for the American West. There is little light or redemption in this tale. Think Clint Eastwood with no remorse, no slight grin, and a whole lot of anger. That’s, in my mind’s eye, Boone Caudill.

The landscapes painted by Guthrie fairly sing under his pen. The long, disastrous raft trip up the Missouri from St. Louis to Fort Union, Montana, is so well done, you’re wiping your brow free of sweat as you pole along with the ill-fated crew of the Mandan as you read. Teal Eye, the Blackfoot girl Boone meets, falls in love with, and later (as she reaches adulthood) takes as his own, is the only female character other than Boone’s long-suffering Ma who appears in the book. This is a man’s journey, a man’s book. but one that readers of both genders will understand and appreciate.

I have to believe that Larry McMurtry read this book long before he sat down to pen Lonesome Dove, one of my favorite novels of all time. There’s an element of Boone in Captain Call (the character played by Tommy Lee Jones in the miniseries) a strong resemblance between the characters that can’t simply be chalked up to coincidence.

In the end,this book stands, like its protagonist, tall and brutal. It is a “must read” for anyone interested in Montana, the early days of the Mountain Men, and the American West.

5 stars out of 5.

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A Moveable Feast – Review

 

A Moveable Feast by Ernest Hemingway (1964 (Restored Edition, 2010). Scribner. ISBN 1-4391-8271-0)

So what’s not to like? Reading Hemingway’s memoir of the time he and his first wife Hadley spent in Paris in the 1920s in the company of Gertrude Stein, F.Scott and Zelda Fitzgerald, and a host of other poets, writers, and artists is like descending into a time machine and turning back the clock. The writing, done at the end of Hemingway’s long career, is some of his best, if a bit abbreviated. We will never know exactly how the book should read in its final edit because Hemingway killed himself before the memoir was completed. Still, with this edition’s added excerpts and snippets, the book contains some of Papa’s best prose: succinct, declarative, bald, and honest. There is absolutely none of the blatant misogyny that mars Hemingway’s other works. In fact, his portrayal of his betrayal of Hadley (through his affair with her best friend, who became Hemingway’s second wife) is an apology that Hemingway likely never made in public before his death.

It’s also the kind of writing that begs for more:

Scott Fitzgerald

His talent was as natural as the pattern that was made by the dust on butterfly’s wings. At one time he understood it no more than a butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think. He was flying again and I was lucky to meet him just after a good time in his writing if not a good one in his life.

Though others have written that F. Scott Fitzgerald’s jealousy of his wife’s writing talent assisted in driving her mad, Hemingway doesn’t see it that way. Which is the correct view, I’ll leave to you and history. However, one does get the sense that Hemingway tends to overlook the faults of those he respects, and inflate the faults of those he considers inferior: Just a caution to the reader to look at other sources before deciding whether to accept Hemingway’s version of truth as true.

This, and the fact the book left me wanting more (which is what a good book should do) are my only criticisms of the restored version of this great look into the life of one of America’s greatest writers.

4 and 1/2 stars out of 5.

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